This one is mainly talking about academic writing (specifically philosophy), which can be generally classified as a kind of post-colonial discourse. I think the key to the so-called native speaker lies in how a person eats culture before the age of eighteen. Did most of the people around you watch Takakura Ken’s “Manhunt” or “Dinosaur Express Kesai” when they were young? These are an important part of your native language. I think this experience is very valuable. A few years ago, I saw a certain Japanese despise the current trend of Showa songs in the Chirp Club by accident: “You all know Pink Lady is good, but can you listen to Koji Tsuruta?” The typical boring “chain of contempt” is a cultural secret that is not in textbooks for foreigners. That’s how I discovered Tsuruta. (Click here to read the vertical layout)

Original link: https://blog.yitianshijie.net/2023/08/19/3973/

This one is mainly talking about academic writing (specifically, philosophy), which can generally be classified as a type of post-colonial discourse. I think the key to the so-called native speaker lies in how a person eats culture before the age of eighteen. Did most of the people around you watch Takakura Ken’s “Manhunt” or “Dinosaur Express Kesai” when they were young? These are an important part of your native language. I think this experience is very valuable. A few years ago, I saw a certain Japanese despise the current trend of Showa songs in the Chirp Club by accident: “You all know Pink Lady is good, but can you listen to Koji Tsuruta?” The typical boring “chain of contempt” is a cultural secret that is not in textbooks for foreigners. That’s how I discovered Tsuruta.

( Click here to read the vertical layout)

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