Criticism of [My Child]: A Question of Speed ​​and Intensity

Original link: https://blog.amamiyayuuko.com/p/%E6%8E%A8%E3%81%97%E3%81%AE%E5%AD%90/

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At the time of writing this article, the manga has been updated to 105 chapters, and the animation has reached the second episode. I read it all and felt compelled to say something too.

About Ai Hoshino

The first episode of the animation corresponds to chapters 1-10 of the first volume of the manga, showing the charm of the idol Hoshino Ai with violent intensity.

Ai Hoshino almost completely corresponds to the disqualification in the world described by Osamu Dazai. She can’t understand the emotions of ordinary people, and she can’t understand what love is. So she became an automaton, fully automatic input and output of pre-programmed smiling faces, singing voices, and dances. In the infinite proliferation of such appearances, she became the ultimate idol, beautifully touching The desperate capitalist landscape.

But the problem is that there are always a few good times, the core of the real pierces the symbol. Wang Hui wrote “Six Moments in Ah Q’s Life” almost in the same way. Here are actually two moments in Ai Hoshino’s life: when Ai Hoshino saw two children coming to her underground live and calling wildly She showed a sincere smile for the first time in 1999, which was not for business, but after that, this sincere smile was immediately sewn back into her disguise and became a part of her idol legend. And the second time she didn’t hold back this set of lies and let the truth flow out was when she was assassinated at the end of the first episode. She honestly proposed to the two children that I love you, but this time she has no chance to sew this to her All the lies – but if it weren’t for the assassination incident, she would have hidden the truth behind one lie after another forever.

Main line: the passage of strength

The main line can be divided into two lines: open line and dark line. The dark line is suspense and revenge, find out the father and kill him to avenge love, and the bright line is career (performance) and love (love stomach medicine), that is, actors Nagi King + Kaguya. The problem here is that the dark line must be hidden under the bright line, and one cannot directly reach revenge regardless of acting and love, otherwise it will be pure rubbish. Akasaka actually noticed this. That’s why I stress: Pulling the fader back is not actually a special turning point in the plot, from excellent to extremely bad – on the contrary, the plot of the fader is consistent, always bright and dark The two lines are facing each other. The reason why the back is pulled is because too much water is poured into the back and loses strength, which is completely boring.

The bright lines of acting provide strength, while the dark lines connect the bright lines: the motive of revenge not only drives the hero from one set to the next, constantly looking for people who may have a relationship with his mother, but also makes him keep approaching and using women for his mother , In the end, the women also have a good impression of him; it also stipulates how the male lead should make a clear line – he can’t enjoy acting, and he can’t respond to love positively.

This model was successful in the first two chapters of Aqua’s acting, that is, the reality show and the stage play, but it entered the quagmire after that. Akasaka’s logic after this was to let the dark thread transfer between the siblings. Aqua thought that the big revenge would be avenged, so he let it go, and began to fall in love with Ansheng. Ruby was shocked by the doctor’s corpse, and the dark fell was about to take revenge. Originally, this kind of transfer was not uninteresting, from the original tension within Aqua to the tension between Aqua and his sister Ruby, but the problem with Akasaka is that there is too much water here and it rots.

Therefore, the problem is not the problem of plot, but the problem of strength and speed.

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After the main line was filled with water by Akasaka’s caretaker’s rotten brain, Akasaka’s effort to restore the plot was to add a lot of bad work: Aqua threw MEM Chirp, and Amagana sent guns to the director for potential The rules are swapped out—**If it really sucks to the end, it will be a bit of a turning point, and it can add some strength to this completely rotten comic. **But Akasaka is rotten because it is not even rotten completely. Akua didn’t really switch to QCQS, and Kana didn’t really send guns. Hey, children are ignorant, just playing around.

The animation actually reflects the same dilemma, and the intensity has declined. The first episode was full of materials and hard work, covering up all the problems. The second episode started to copy comics and not make adaptations that are more suitable for animation media. Well, and that’s not even where my hand-picked manga starts to get boring.

other recommendation

The manga recommends Act-age, and it is called actor Ye Nagi scene on vol.moe.

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Light novel recommended horror actress reincarnated genius child star ~ this time must break into Hollywood! ~, there is a web version of the translation in Zhenbaimeng

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These two are my favorite books about actors.

Finally, take a look:

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