Hello everyone, I am Huai Jiajia, the director of Dali Temple Journal. I am very happy to have the opportunity to communicate with you on the Zhihu platform. After the broadcast of the first season of Dali Temple, we have received a lot of support and encouragement from the audience, which has also become our belief and motivation to do well in the second season.
Two years have passed since the completion of the first season. The long production process was silent and there was no feedback from the audience. At the same time, it was also conflicting, and there would inevitably be some friction in the creative ideas between the teams. Sometimes I also have some confusion: am I right? Will the audience like it? Am I articulating what I want to convey? Did I tell the story well? Every question weighs heavily on the mind, terrifying. But every time I think of the “hard work” that filled the screen in the last episode of the first season, and the comments on various platforms that are always looking forward to it, I have the motivation and courage to persevere.
I am indeed a very stubborn person. Sometimes, in order to achieve better results, I will constantly modify the shots and increase the production requirements. I have to say sorry to everyone in the production team, because this kind of stubbornness may give everyone Increased production difficulty. But I don’t think it’s a mistake to be stubborn about the work, just like we always say “but do good things, don’t ask about the future”, and also thank our partners for their understanding, we are all animators with ideals, and we all hope to be able to We will convey what we want to express to the audience in the best form, and we also hope that our works can continue to be recognized by the audience.
In terms of production, compared with the first season, in the second season, we have comprehensively improved the accuracy within the scope of our ability, the picture will have more details, and the scene will be more grand than the first season. At the same time as the generation materials, a lot of scenes and props have been designed in order to combine the story creation. Do your best to create the environment and atmosphere of the era in the story, so that the audience can better integrate into it. The performance is still a study of the unique Chinese performance context, and the design of the lines pays great attention to the Chinese cultural heritage. Not to mention the music, a large number of traditional Chinese folk music are used for recording, giving full play to the characteristics of Chinese music. The second season can be seen from the scheduled PV. The confrontation between the ruling and the opposition forces will be the main content of this season. You may need to be more patient when watching, and analyze the characters, interests, inner desires, etc. from the play. Feeling their unique charm, we also support audience friends to do some character analysis Aite us.
Now that the second season is about to be launched, and we are about to hand in the answer sheet, then the quality of the next story will be judged by the partners in front of the screen. Finally, I would like to thank the audience for their waiting and support. Two years later, the second season of Dali Temple Diary, Cat Master, is back.
Source: Zhihu www.zhihu.com
Author: Huai Jiajia
[Zhihu Daily] The choice of tens of millions of users, to be a big cow to share new things in the circle of friends.
click to download
This article is reproduced from: http://www.zhihu.com/question/564815407/answer/2745497536?utm_campaign=rss&utm_medium=rss&utm_source=rss&utm_content=title
This site is for inclusion only, and the copyright belongs to the original author.