In the past two days, I saw @horsezhanbin discussing “prepared dishes”. He wrote: When I was in Beijing, I often ate with a friend, and he refused to go to chain restaurants in shopping malls. After I came to Japan, a friend took me to eat at Xueyi University Station, and he also refused to go to chain restaurants. Such a wonderful dining experience with them makes me believe that dining is how we shape ourselves and create our lives. This reminds me of a statement made by Wajima Yusuke about Japanese folklore and indigenous music. Generally speaking, when talking about Japan’s local, traditional, and folk music, people will think of such types as kobei, chanbei, Noh, and Gagaku, or musical instruments such as shakuhachi, shinobi, and shamisen. But Wajima said the theme songs written by composer Sumiaki Watanabe for countless Japanese cartoons after World War II were the music a generation of Japanese grew up listening to, and they are an important part of Japan’s indigenous music today. (Click here to read vertical version)

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Original link: https://blog.yitianshijie.net/2023/09/11/4030/

?n=Lawrence+Li&s=64 Lawrence Li

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In the past two days, I saw @horsezhanbin discussing “prepared dishes”. He wrote :

When I was in Beijing, I often ate with a friend, and he refused to go to chain restaurants in shopping malls. After I came to Japan, a friend took me to eat at Xueyi University Station, and he also refused to go to chain restaurants. Such a wonderful dining experience with them makes me believe that dining is how we shape ourselves and create our lives.

This reminds me of a statement made by Wajima Yusuke about Japanese folklore and indigenous music. Generally speaking, when talking about Japan’s local, traditional, and folk music, people will think of such types as kobei, chanbei, Noh, and Gagaku, or musical instruments such as shakuhachi, shinobi, and shamisen. But Wajima said the theme songs written by composer Sumiaki Watanabe for countless Japanese cartoons after World War II were the music a generation of Japanese grew up listening to , and they are an important part of Japan’s indigenous music today.

( Click here to read vertical version)

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